Cinematic techniques in the literature of the television journey (picture as a model )

Abstract

This research aims to examine the technique of multiple cinematic images, and their aesthetic role in the literature of the television journey; This is due to the cinematic narrative style, highlighting its role in shaping the structure of visual journey literature, based on many techniques besides the image, and shedding light on it in literary and artistic terms, such as sound, montage, and various cinematic effects; To reveal the aesthetics of this visible traveling literature, artistic techniques, and their multiple connotations in it; By addressing the elements of the TV image: (Movement, camera footage, camera angles, lighting, color). The research adopted the semiotic method of studying the image and illuminating it literally and artistically; To uncover the art and techniques of travelogue, making use of analytical descriptive methodology tools and procedures, which may be useful for research in some places.

The research concluded several results, including: That the programs of visual journey literature, leaned on the techniques of sound, image, montage, and the use of various cinematic effects; This gave it a new dramatic dimension, and the different image techniques brought about a paradigm shift in that visual-television travelogue literature. This study was distinguished in providing evidence that the exploitation of literature for technology data led to the introduction of a new literary race combining literature and technology, and its features were reflected in the literature of the television journey.